by Sinéad Murphy In his AIER article published on June 1st, David McGrogan describes support for Western governments’ Covid measures as attributable, not only to fear of a deadly virus or to care for those who are vulnerable to it, but to the pleasurable add-on awareness that Covid fear and Covid care are felt by everyone else around. Insofar as it is comprised primarily of this sense that everyone shares in the Covid experience, the Covid experience, David observed, is kitsch. David’s original analysis throws up the intriguing possibility that what we are dealing with in the satisfaction of so many in the Covid regime, and their palpable distaste for those who do not share their satisfaction, is neither a flawed Covid reasoning nor a distorted Covid morality but a new Covid aesthetic. In a comprehensive account of the conditions for the possibility of human experience, Immanuel Kant drew clear lines between objective knowledge, moral judgement and aesthetic feeling. His account of aesthetic feeling tallies well with the consensus experience of Covid and explains why it is that any attempt to intervene in this consensus experience with personal, factual, practical or moral arguments is a category mistake and unlikely to produce much effect. Kant’s classic example of an aesthetic experience is the one occasioned by a beautiful sunset, an example ...